Wow! Awesome advice this week. So where to I go from here? The bloggers earlier this week seemed to cover it all. Think think think…what to write? I decided to go with my standard advice to new writers. These are things I think you need to know.
When I was starting out, I was a ‘young married’ with two toddlers and not a lot of time or money. But I had a desire to write that wouldn’t be long suppressed. Still, joining a writing group like RWA, though affordable, wasn’t in my budget nor was the internet so I didn’t have that connection, either.
I did have a wonderful critique partner. I recommend one if you can find one. If you can’t, you must be your own best enemy when it comes to your work. Even if you have a critique partner, you must do the same. You can’t become so reliant on another person that you can’t write a decent page without them. I don’t mean to listen to your internal critique 24/7. You need to learn to shut her up. However, there are times to let the critical part of your brain have free rein. You must learn to analyze your own writing. How?
1. Become a grammar expert. Even before I was published, I could spot a misused or missing comma at 50 paces. Learn sentence structure. You must know the rules inside and out so that, when you choose to break them, you do it on purpose—for a purpose.
2. Read and study in your chosen genre. You need to know what’s allowed, what’s been overdone, what’s waning, and what’s growing in popularity. You need to learn how the books you want to write are structured. Study the story and character arcs. Absorb how the plots are built and threaded into the story. Books in your genre are the top instructional manuals.
3. Research always. I have been seriously writing for 11 years and published for just over three. I still research always. When I started, most of my books were “how to write” books and grammar basics. Very soon after, I started adding in books on the Middle Ages because I wanted to write historical romance. I still get about one research book a month or more. Lately, my books are more of the psychology flavor. Research however is around you everywhere. Save snippets from the newspaper, magazines or online articles. Write down observations. These will all help you.
4. Set a DAILY schedule/goal. Life happens. You might not be able to write every day though it’s what you want. You might not be able to force out your set word count. Don’t sweat it. These things are part of being a writer. However, you need to place a goal for yourself so you have something for which to aim. And be realistic. Maybe, at first, say “I’m going to write one hundred words a day.” Don’t you deserve the five to fifteen minutes this should take? Don’t you think you might be able to fit it in? Heck, I think you could fit it in while waiting in the checkout lane. I swear I’m not lying when I attest that most of Tribute for the Goddess, my longest book, was written while waiting in construction zones one summer. Make a commitment to yourself!
5. Write down your dream; review often. We all have dreams. I have lofty dreams. They take work and commitment. As a beginner, before your view of the publishing industry is tainted, write down what you want. Be specific. Don’t be afraid of what you want. Write it down. Put it away where you can look at it but it isn’t where others can bug you about it. This is your goal. It’s about you, not anyone else. When life happens, when you feel you’ll never make it, when you think you’ll have to forsake your goal for something smaller, take it out. Look at it and remind yourself what you want.
6. And no matter what you want or how well you do in the industry, remind yourself: there will always be someone better than you. No one—and I’m including the biggest names in publishing—is all that and a bag of chips. Seriously, someone else will always have a better idea or have executed an idea better than you have. Besides alienating people, when you get full of yourself, you crack. You just can’t contain that ego, you know? You stop listening because you know better. And those good books you used to write? Well, the crap starts seeping out of those cracks. It’s okay to be proud of yourself. It’s okay to know you’re good at what you do. But keep that ego in check, okay? Otherwise, you’re gonna have a monster who’ll be difficult to rein in and whose mess becomes legendary.
I know you can do it! Happy writing and good luck!
~~Brynn
Friday, May 28, 2010
Thursday, May 27, 2010
Not Much to Add
After these three freaking excellent posts, I can honestly say, I don't have that much to add. Seriously, well done Simone, Mia and Dakota! You guys rock it hard.
The few things I can think of are:
1. ) Sometimes when we start a new story, we just want to glory in the perfection of this shiny new world we've created. We want to romp and frolic with our characters in fields of wild flowers...metaphorically, of course. Don't love your characters so much that you never let anything bad happen to them. Without the bad stuff, there is no story. A wise friend *cough cough Margaret cough cough* once told me that in order to write a compelling story I needed to grab my characters by the back of the head and shove their faces into a metaphorical meat grinder. Only conflict is interesting. Without conflict there is no story.
Internal conflict is just as important if not more than external conflict. So bring us your angst, your wangst, your deeply conflicted characters. We want to care about them as they try to overcome their problems. We want to know how they feel and why. We want to see them overcome.
2.) Don't write to the market. What I mean by that is don't write what's popular simply because it's popular and your think it'll sell well. If you're writing in a genre solely because it's the hottest thing on the market right now, and you think it'll boost your sales, don't.
Seriously.
Don't do it.
If your heart isn't completely in the story, it's going to be obvious to your readers. And nobody likes a sellout.
I've been asked why I don't write male/male romance by a number of people. It's not that I don't like the genre - I like it just fine. But that's not what I'm drawn to write. I think if I did attempt it, it would be apparent to anyone reading that I was well outside my comfort zone. Moving beyond your comfort zone isn't a bad thing, it's good to explore. But if in the course of exploring you discover that your heart isn't in whatever you're trying to write, you may want to rethink the project.
So...yeah. That's it. That's all I've got.
The few things I can think of are:
1. ) Sometimes when we start a new story, we just want to glory in the perfection of this shiny new world we've created. We want to romp and frolic with our characters in fields of wild flowers...metaphorically, of course. Don't love your characters so much that you never let anything bad happen to them. Without the bad stuff, there is no story. A wise friend *cough cough Margaret cough cough* once told me that in order to write a compelling story I needed to grab my characters by the back of the head and shove their faces into a metaphorical meat grinder. Only conflict is interesting. Without conflict there is no story.
Internal conflict is just as important if not more than external conflict. So bring us your angst, your wangst, your deeply conflicted characters. We want to care about them as they try to overcome their problems. We want to know how they feel and why. We want to see them overcome.
2.) Don't write to the market. What I mean by that is don't write what's popular simply because it's popular and your think it'll sell well. If you're writing in a genre solely because it's the hottest thing on the market right now, and you think it'll boost your sales, don't.
Seriously.
Don't do it.
If your heart isn't completely in the story, it's going to be obvious to your readers. And nobody likes a sellout.
I've been asked why I don't write male/male romance by a number of people. It's not that I don't like the genre - I like it just fine. But that's not what I'm drawn to write. I think if I did attempt it, it would be apparent to anyone reading that I was well outside my comfort zone. Moving beyond your comfort zone isn't a bad thing, it's good to explore. But if in the course of exploring you discover that your heart isn't in whatever you're trying to write, you may want to rethink the project.
So...yeah. That's it. That's all I've got.
Wednesday, May 26, 2010
To start at the beginning
A very good place to start.
I suck at these posts. I like the ones where I can post pictures. Or make lists. When it comes to giving advice I am terrible. Probably not a good quality for a blogger who is part of an advice blog to have, but what are you going to do.
Taking from my experiences wouldn't even be that helpful. Step one - Write a bunch of terrible books and hide them under the bed. Takes about 8 years. Step two - Start a blog while you attempt yet another genre. Takes about a year. Step three - submit your newest work to a newer publisher. Step four - Yay!
Was the helpful to anyone? No? Damn!
I guess the best thing I can tell a beginner is to write. Write what you want to write, don't write to a market. If it makes you happy, if it is truly good, then someone will want it. Don't give up. This takes years. Not everyone gets lucky their frist time out. And very few of us get million dollar deals. A fraction of us get movie deals, merchandising rights or television pilots. This is a hard business and you need a thick skin and unbelievable patience or you might as well turn off the computer, put down the pen, and get yourself a degree in Zoology. It will be easier for you in the long run.
So to recap where do you start? With words on paper my loves. Words on paper.
XoXoXo
Dakota
I suck at these posts. I like the ones where I can post pictures. Or make lists. When it comes to giving advice I am terrible. Probably not a good quality for a blogger who is part of an advice blog to have, but what are you going to do.
Taking from my experiences wouldn't even be that helpful. Step one - Write a bunch of terrible books and hide them under the bed. Takes about 8 years. Step two - Start a blog while you attempt yet another genre. Takes about a year. Step three - submit your newest work to a newer publisher. Step four - Yay!
Was the helpful to anyone? No? Damn!
I guess the best thing I can tell a beginner is to write. Write what you want to write, don't write to a market. If it makes you happy, if it is truly good, then someone will want it. Don't give up. This takes years. Not everyone gets lucky their frist time out. And very few of us get million dollar deals. A fraction of us get movie deals, merchandising rights or television pilots. This is a hard business and you need a thick skin and unbelievable patience or you might as well turn off the computer, put down the pen, and get yourself a degree in Zoology. It will be easier for you in the long run.
So to recap where do you start? With words on paper my loves. Words on paper.
XoXoXo
Dakota
Tuesday, May 25, 2010
Tips and Tricks
I had to think about this topic for awhile. Since it's all about helping new authors, I decided to swallow my pride and tell you what I did that worked and what I regret. Indirectly.
1. Sign up for Romance Writers of America. This one makes me cringe. I'm more than a little pissed off about their treatment of eBook writers and our validity. Even after all our discussions and votes, they didn't accept our publishers as legit until Harlequin went ePub. Then Harlequin distanced themselves from their ePub keeping it a separate entity which, I feel, perpetuates the mentality.
But, RWA has some resources you'd probably want. They meet once a month, have online and in person crit groups. They have seminars by specialists in genre as well as business. They allow you to talk to "real live authors" and ask all your questions... yes, even the ones about spacing and page set up. *eyeroll*.
Just remember that they are snobs. Use them like scented Kleenex. They're handy, but they'll make you sneeze. Blow your nose and clear your sniffles, then dispose when all used up. For me, that was three years.
2. Join yahoo chat groups. If you aren't published yet, you won't have an editor loop to ask your questions. If you are, some editors are iron maidens about chatting on their forums. Still, there are author loops, review loops, reader loops, genre loops, mixed author/editor/publisher/reader loops and they all have things to tell you. Don't know of any? Ask someone and they'll probably spout off about 70 loops where they participate. Take loop information with a grain of salt because some of them are talking out of their asses. But some of them are wise from experience.
3. Avoid the hype. No matter how badly you want to get published, there is NO EXCUSE for plowing ahead to publish with the Big Dog to have a title credit under you. If you see all the information, weigh your options/pros/cons, and decide to take the risk anyway, then at least you do it informed.
Remember that forewarned is forearmed. If you get screwed later, you won't look like an idiot with excuse-drool spilling from your lips. Trust me. I know this. Some publishers burn only the lucky select few. Some burn everybody. Some hug you and coddle you and blow you kisses. If you see established authors jumping ship and more than a handful of brand new authors climbing aboard, look around for the tempest. Is it worth it? What do those "older" authors know that you don't?
4. Don't Diva. No, seriously, don't. You aren't all that. None of us are. Just because someone asked you to submit, or had you sign a contract, there is ALWAYS someone who knows more than you. Acting like there isn't just makes you a huge ass. If you didn't realize it before, figure it out quickly... WE ALL TALK. No shit. The editors from multiple houses chat with each other and know the authors who pull power-plays. The authors writing for multiple houses and discover your assiness won't play nice if you're going to shit on them. The publishers chat amongst themselves, too.
It is rare indeed where I lay out my cards and piss off one a publisher. I've done it. Just makes sure it's deserved.
Readers know when you're self-absorbed. Keep it in mind. I don't want to hear any of you say, "Do you KNOW who I AM?" or I'll smack you. It's for your own good, so say thank you and move on.
5. Never stop learning. You are not the all-knowing grand poobah of authorhood. Learn from your peers even if you think you're better than them. New authors tend to have a temporary superiority complex. That's okay so long as you get over it and realize that every person in the industry and out of it has something valid to offer. Learn from it and use it in your writing. It makes you a better person and a better author.
6. Cash your royalty checks immediately. Do I need to explain this? Reliability is not always a publisher's middle name. Checks may not come on time or when expected and despite the fact that a house may ask you to be fiscally responsible, they in no way feel that the same rule applies to them. Fair warning. Cash. STAT. Also, check the math on your statements, keeping a record of sales and royalties. Yes, it's important because mistakes happen.
7. Read your contract. I know you're excited. They love your baby. Now read the thing and make sure you completely understand it.
Especially look for phrases like "lifetime rights", "right of first refusal" (may be applied to series, next publishable work, or both), "all forms of media" (important as we move into audio and more third party vendors), "reversion of rights" so that you know when you can request your book back, and "refusal to edit" when they have already contracted your book as is, then ask you to completely re-write it and change existing world building. If you fall out of credibility with your readers, your reputation is toast. Stick to your guns, but know if you are contractually able to back out if a major re-write threatens your business.
8. This is a business. You thought you were only writing pretty stories didn't you? You thought you'd sit and type happily with no other concerns, after you got your contract? WRONG. You are now a business owner. You have records to keep, schedules to manage, appearances to make in person and on the Internet, promotion to do, edits to adjust, fans to write, and if you have time, actual writing.
I spend about 70% of my "writing" time doing paperwork type things. I know you think you know better, but you don't. I'm allowed to be a Diva about that so don't even think about quoting my earlier point. Be meticulous about your records. The publisher isn't responsible for re-sending you royalty statements that you tossed in the garbage, when tax time comes. I know this from experience when I thought I didn't need them. Boy, was I wrong.
9. Taxes. Start filing through a company if at all possible. As a writer you automatically have a red flag by your name. If a reputable company files your taxes and backs their return, they are more likely to go on to the next red flag than check into yours. After all, the tax guy did that already and he had all your paperwork which you meticulously kept up with. Pay attention when he tells you, if he tells you, that you must now file quarterly for your earnings.
Another thing my tax guy taught me: Those who file a Section C form for work involving artistic or creative efforts (painters, writers, editors, etc) are highly desirable targets for the IRS. Why? Because they know that these careers are born of a passion to create and that means you are less likely to actually retire from your work. It also means your record keeping could be spotty. If they have back taxes to collect, they know creative types will work until the very end and therefore, they have lots of time to collect from you or penalize future returns. You are officially on their radar. Along those lines, I was told that while the standard recommendation is hanging on to the past 3 years of returns for most careers, the creatives must hold on to no less than 7 years of returns in order to prove they've paid correctly.
Short version? Don't shred your shit.
10. Make friends. This is a solitary life we lead if you allow it. Make a point of creating lasting ties to people who "get you". It's critical. You stay saner, happier, and with a network like this, you don't ever have to explain why an edit got in the way of answering an email or returning a call. Chances are, they've been there too and their nodding their heads. We are an accepting bunch of people. Be accepting in return and you won't regret the connections you make. Enjoy this! You're a new author and there's nowhere to go but up.
Love,
Mia
1. Sign up for Romance Writers of America. This one makes me cringe. I'm more than a little pissed off about their treatment of eBook writers and our validity. Even after all our discussions and votes, they didn't accept our publishers as legit until Harlequin went ePub. Then Harlequin distanced themselves from their ePub keeping it a separate entity which, I feel, perpetuates the mentality.
But, RWA has some resources you'd probably want. They meet once a month, have online and in person crit groups. They have seminars by specialists in genre as well as business. They allow you to talk to "real live authors" and ask all your questions... yes, even the ones about spacing and page set up. *eyeroll*.
Just remember that they are snobs. Use them like scented Kleenex. They're handy, but they'll make you sneeze. Blow your nose and clear your sniffles, then dispose when all used up. For me, that was three years.
2. Join yahoo chat groups. If you aren't published yet, you won't have an editor loop to ask your questions. If you are, some editors are iron maidens about chatting on their forums. Still, there are author loops, review loops, reader loops, genre loops, mixed author/editor/publisher/reader loops and they all have things to tell you. Don't know of any? Ask someone and they'll probably spout off about 70 loops where they participate. Take loop information with a grain of salt because some of them are talking out of their asses. But some of them are wise from experience.
3. Avoid the hype. No matter how badly you want to get published, there is NO EXCUSE for plowing ahead to publish with the Big Dog to have a title credit under you. If you see all the information, weigh your options/pros/cons, and decide to take the risk anyway, then at least you do it informed.
Remember that forewarned is forearmed. If you get screwed later, you won't look like an idiot with excuse-drool spilling from your lips. Trust me. I know this. Some publishers burn only the lucky select few. Some burn everybody. Some hug you and coddle you and blow you kisses. If you see established authors jumping ship and more than a handful of brand new authors climbing aboard, look around for the tempest. Is it worth it? What do those "older" authors know that you don't?
4. Don't Diva. No, seriously, don't. You aren't all that. None of us are. Just because someone asked you to submit, or had you sign a contract, there is ALWAYS someone who knows more than you. Acting like there isn't just makes you a huge ass. If you didn't realize it before, figure it out quickly... WE ALL TALK. No shit. The editors from multiple houses chat with each other and know the authors who pull power-plays. The authors writing for multiple houses and discover your assiness won't play nice if you're going to shit on them. The publishers chat amongst themselves, too.
It is rare indeed where I lay out my cards and piss off one a publisher. I've done it. Just makes sure it's deserved.
Readers know when you're self-absorbed. Keep it in mind. I don't want to hear any of you say, "Do you KNOW who I AM?" or I'll smack you. It's for your own good, so say thank you and move on.
5. Never stop learning. You are not the all-knowing grand poobah of authorhood. Learn from your peers even if you think you're better than them. New authors tend to have a temporary superiority complex. That's okay so long as you get over it and realize that every person in the industry and out of it has something valid to offer. Learn from it and use it in your writing. It makes you a better person and a better author.
6. Cash your royalty checks immediately. Do I need to explain this? Reliability is not always a publisher's middle name. Checks may not come on time or when expected and despite the fact that a house may ask you to be fiscally responsible, they in no way feel that the same rule applies to them. Fair warning. Cash. STAT. Also, check the math on your statements, keeping a record of sales and royalties. Yes, it's important because mistakes happen.
7. Read your contract. I know you're excited. They love your baby. Now read the thing and make sure you completely understand it.
Especially look for phrases like "lifetime rights", "right of first refusal" (may be applied to series, next publishable work, or both), "all forms of media" (important as we move into audio and more third party vendors), "reversion of rights" so that you know when you can request your book back, and "refusal to edit" when they have already contracted your book as is, then ask you to completely re-write it and change existing world building. If you fall out of credibility with your readers, your reputation is toast. Stick to your guns, but know if you are contractually able to back out if a major re-write threatens your business.
8. This is a business. You thought you were only writing pretty stories didn't you? You thought you'd sit and type happily with no other concerns, after you got your contract? WRONG. You are now a business owner. You have records to keep, schedules to manage, appearances to make in person and on the Internet, promotion to do, edits to adjust, fans to write, and if you have time, actual writing.
I spend about 70% of my "writing" time doing paperwork type things. I know you think you know better, but you don't. I'm allowed to be a Diva about that so don't even think about quoting my earlier point. Be meticulous about your records. The publisher isn't responsible for re-sending you royalty statements that you tossed in the garbage, when tax time comes. I know this from experience when I thought I didn't need them. Boy, was I wrong.
9. Taxes. Start filing through a company if at all possible. As a writer you automatically have a red flag by your name. If a reputable company files your taxes and backs their return, they are more likely to go on to the next red flag than check into yours. After all, the tax guy did that already and he had all your paperwork which you meticulously kept up with. Pay attention when he tells you, if he tells you, that you must now file quarterly for your earnings.
Another thing my tax guy taught me: Those who file a Section C form for work involving artistic or creative efforts (painters, writers, editors, etc) are highly desirable targets for the IRS. Why? Because they know that these careers are born of a passion to create and that means you are less likely to actually retire from your work. It also means your record keeping could be spotty. If they have back taxes to collect, they know creative types will work until the very end and therefore, they have lots of time to collect from you or penalize future returns. You are officially on their radar. Along those lines, I was told that while the standard recommendation is hanging on to the past 3 years of returns for most careers, the creatives must hold on to no less than 7 years of returns in order to prove they've paid correctly.
Short version? Don't shred your shit.
10. Make friends. This is a solitary life we lead if you allow it. Make a point of creating lasting ties to people who "get you". It's critical. You stay saner, happier, and with a network like this, you don't ever have to explain why an edit got in the way of answering an email or returning a call. Chances are, they've been there too and their nodding their heads. We are an accepting bunch of people. Be accepting in return and you won't regret the connections you make. Enjoy this! You're a new author and there's nowhere to go but up.
Love,
Mia
Monday, May 24, 2010
The Starting Point
Before you can get to the covers that we saw last week - except me, who has stunk royally lately - you have to write the book. But where do you begin? On page one? The title?
No, you begin before that.
The beginning is a series of decisions that can appear to be either easy and seemingly instinctual or they can be monumental. It begins with figuring out what you want to write -- specifically which genre captures your interest? which genre are your characters calling you from- what is the setting they are telling you about, the story that affects their lives? Is it something you know about or are familiar with? or do you know very little about it? Do you shy away from the story the characters want to tell and force it into a frame work that you are comfortable with? Or do you not understand exactly what they are trying to tell you?
I'm not big on lines and spreadsheets, I prefer the alien-spider method of brainstorming. Broad topic in the center with lots of lines connecting ideas radiating outward. BUT if the linear way works better -- use it! Your way of writing isn't the same as mine just as Mia, Dakota, Bronwyn and Brynn all have a different style and way of writing - which isn't the same as voice, but each one of us has a distinct voice.
* Figure out what it is you want to write - fiction or non-fiction? genre or mainstream literature? mystery, thriller, suspense, romance, science-fiction, action-adventure, or fantasy? If its romance - is there a sub-genre such as contemporary, erotic romance, suspense, science fiction, fantasy, paranormal, or something else completely.
* Find a writer's group - after figuring out what you want to write - find a group of writers - they don't have to write the same stuff you do, that can support you and provide guidance when needed.
* Get a writer's journal - Brynn's mentioned them before -- they are a necessity! Any blank, dedicated notepad will due.
* You have an idea - maybe several - if that's the case, pick the one that you keep coming back to or that you have the most information about and are the most passionate about.
* Brainstorm your story - the plot, the characters, the setting, the details
* If you don't know whether you are a pantser (no outlines or written plotlines) or a plotter (spreadsheets, outlines, or multi-page plot points) try both options and find out which one works better for you
* Start writing. Format your word processing program correctly.
* Now you can start with Chapter One on page 1 or 2 or whatever number you end up starting with.
* From here there are a couple of approaches -- I prefer the write it ugly, finish it and then revise approach, because otherwise I would never leave chapter 1. Others, revise as they go. Try both and see where you are most comfortable.
****above all else believe in yourself, find a supportive group of writers who will understand and support you and write!!!****
Happy Writing!
Simone.
No, you begin before that.
The beginning is a series of decisions that can appear to be either easy and seemingly instinctual or they can be monumental. It begins with figuring out what you want to write -- specifically which genre captures your interest? which genre are your characters calling you from- what is the setting they are telling you about, the story that affects their lives? Is it something you know about or are familiar with? or do you know very little about it? Do you shy away from the story the characters want to tell and force it into a frame work that you are comfortable with? Or do you not understand exactly what they are trying to tell you?
I'm not big on lines and spreadsheets, I prefer the alien-spider method of brainstorming. Broad topic in the center with lots of lines connecting ideas radiating outward. BUT if the linear way works better -- use it! Your way of writing isn't the same as mine just as Mia, Dakota, Bronwyn and Brynn all have a different style and way of writing - which isn't the same as voice, but each one of us has a distinct voice.
* Figure out what it is you want to write - fiction or non-fiction? genre or mainstream literature? mystery, thriller, suspense, romance, science-fiction, action-adventure, or fantasy? If its romance - is there a sub-genre such as contemporary, erotic romance, suspense, science fiction, fantasy, paranormal, or something else completely.
* Find a writer's group - after figuring out what you want to write - find a group of writers - they don't have to write the same stuff you do, that can support you and provide guidance when needed.
* Get a writer's journal - Brynn's mentioned them before -- they are a necessity! Any blank, dedicated notepad will due.
* You have an idea - maybe several - if that's the case, pick the one that you keep coming back to or that you have the most information about and are the most passionate about.
* Brainstorm your story - the plot, the characters, the setting, the details
* If you don't know whether you are a pantser (no outlines or written plotlines) or a plotter (spreadsheets, outlines, or multi-page plot points) try both options and find out which one works better for you
* Start writing. Format your word processing program correctly.
* Now you can start with Chapter One on page 1 or 2 or whatever number you end up starting with.
* From here there are a couple of approaches -- I prefer the write it ugly, finish it and then revise approach, because otherwise I would never leave chapter 1. Others, revise as they go. Try both and see where you are most comfortable.
****above all else believe in yourself, find a supportive group of writers who will understand and support you and write!!!****
Happy Writing!
Simone.
Friday, May 21, 2010
Covers I Really Dig
I love this topic because I love looking at book covers. I love the eye-candy value in so many of them. Since I am a cover artist, I've picked covers that I find pleasing and include elements and styles I admire. (Yes, I'm starting with one of my covers. What can I say? I love what the artist did)
Thursday, May 20, 2010
Wednesday, May 19, 2010
Dig 'Um
In honor of the upcoming arrival of my son I decided to focus my attention on the covers of kids books that I love. Some of them I love because they are visually appealing (Santa's Twin, The Lorax) and some I love because of what they remind me of (The Real Mother Goose, Don't Let the Pigeon Drive the Bus). I hope that you see a few of your favorites in here. If I missed some that you love let me know. And feel free to mention books you love in general, the covers don't have to do it for you if you just want to talk about awesome kids books. I won't tell.
Subscribe to:
Posts (Atom)